Caminos: the sculpture of the children of Jandia

Caminos is a remarkable art installation that adds a touch of wonder and joy near Gaviotas beach, not far from the historic and charming town of Morro Jable on the Jandia peninsula.
This enchanting ensemble of sculptures, nestled within a rotunda, is the creation of the talented Cuban sculptor Lisbet Fernandez Ramos. Each sculpture exudes a sense of playfulness and innocence, making it a delightful sight for both children and adults alike. As the gentle sea breeze carries the sounds of crashing waves and seagull cries, one cannot help but be by the artistry and imagination behind these endearing figures.

The meaning of the sculpture

Caminos is a profound artistic representation, consisting of thirty children’s sculptures, each with their original faces “lent” by the parents of the Pajara City Hall to the Cuban artist. The intentional act of lending their children’s faces for this work adds a touching and personal dimension to the sculptures, reflecting a collective investment in the art. The sculptures, with their gaze turned towards the sky, symbolize the journey of growth and development in individuals. There is a sense of progression, akin to a growing flower, capturing the essence of a child’s evolution towards adulthood.

The significance of “Caminos” in Spanish as roads or paths adds depth to the artwork’s meaning. It encapsulates the idea of life paths, choices, and the meandering journey each person undertakes. When viewed from an aerial perspective, the sculptures reveal a striking placement on a large Yin Yang symbol, adding a philosophical layer to the artwork. This symbology emphasizes balance, harmony, and the interconnectedness of dualities, infusing the artwork with a profound sense of unity and equilibrium.

Overall, Caminos stands as a poignant and thought-provoking creation, encapsulating not only the physical and emotional growth of individuals but also offering a reflection on the paths we traverse in life, all within the encompassing embrace of philosophical and spiritual symbolism.

The sculptor of Caminos

Lisbet Fernandez’s journey to Spain in 2006 marked the beginning of a new chapter in her artistic career. Her arrival coincided with an art exhibition in Madrid, a pivotal moment that eventually led her and her husband to make the move to Fuerteventura a permanent one. It was during this time that the seeds of creativity were sown, culminating in the creation of “Caminos” – a group of terracotta sculptures consisting of 30 children, two of which stand at a height of approximately 110 cm. These evocative pieces of art capture the essence of childhood, resonating with both emotion and nostalgia.

If you want get in smaller representations of Lisbet’s work, you can purchase directly from her website some smaller “house sizes” 37-47 cm directly from artist at https://lisbetesculturas.business.site/.
Additionally, individuals seeking a deeper connection with her artistry can explore the possibility of visiting her studio in Costa Calma, where her creative process unfolds.

To gain further insight into Lisbet’s inspirations and artistic methods, reaching out to her through the contact information provided on her website could offer a glimpse into her world. This direct interaction may provide art enthusiasts with a unique opportunity to delve into the stories and emotions that fuel her creations.

How to find the sculptures

Finding Caminos is quite simple, even if, while driving, it can happen that you pay more attention to the road rather than what is inside the roundabout. The sculpture, in any case, is approximately equal to the beach of Gaviotas. On the Rotonda is Club Aldiana with a side street on which many cars are parked.
If, on the other hand, you don’t want to make a mistake because you are alone in the car or you don’t want to be distracted looking for signs or looking at all the roundabouts, write “Skulpture von Kinder aus Morro Jable” on Google Map and you can’t go wrong.
Then you can park in the car park near the Club Aldiana or along the road that runs alongside it, as there is almost always free space